If it seems distinct in order to substitute that biblical word soul for identity in the materialist economy connected with naturalistic drama, there happen to be other threats as Strindberg works out an artistic for the atomized spirit of a hysterical age group, immediately before Freud plus Breuer began their well known experiments of hysteria. Intended for citizen , there is a passage in the preface just where, observing that people have been increasingly interested in “psychological process, ” Strindberg—whose own documents on mindsets acquired been permitted Vivisections—goes upon to sound, from the demystifying mode, less just like Sigmund Freud and more like Bertolt Brecht. “Our curious souls, ” he affirms, “are not really satisfied simply to discover something come about; we want to understand how that happened. We desire to see the strings, this machinery, study the double-bottomed box, experience the seam around the magic ring, search at the cards to see the way they are marked” (57). But a instant after insisting that will theatricality reveal itself, that this equipment of production possibly be subjected, and presumably false impression with the idea, Strindberg creates with regards to “the technical facets of make up, ” that he provides experimented in Miss Jules “with eliminating act sections. ” Why? To conserve, such as Nietzsche, the prospect