Writing on choose of Sardinia who also, at the opening of his / her essay in “The Theatre and the particular Plague, ” “had a particularly afflicting dream, ” Artaud asks: “But could it be too late to prevent typically the scourge? Even destroyed, perhaps annihilated, even pulverized and consumed to their exact marrow, he has learned that we do not die within our dreams, our will operates even in drollery, even in the negation associated with possibility, even around the alchemie of untruths from which truth may be remade” (15). In the event the viceroy “wakes up” for this knowledge, as if concerning him and plague there was “a palpable communication” (17)—confirming Artaud in “the thought connected with symbols together with archetypes which act similar to quiet blows, bed s down, advances of the heart, subpoena of the lymph, inflamed images thrust into our suddenly wakened heads, ” name the powers “we hail as symbols” (27)—the difficulty with symbolist episode (as with expressionism later) is that the thrilling promise connected with a transfigured fact, to help which we break through the particular dreaming, leaves us together with the never ending irony regarding something to be needed, not unlike the phantasm associated with di